An unwavering commitment to community informs Barrington's wide-ranging practice alongside an exploration of migration and cross-cultural exchange.
Alvaro Barrington's practice is informed by an unwavering commitment to community. He considers influence and exchange to be crucial, drawing upon a host of artistic and cultural references in his work. His personal touchstones include rapper Tupac Shakur and 90s hip-hop culture, 1920s jazz and the Harlem Renaissance, Jamaican political activist Marcus Garvey, modernist icons such as Willem de Kooning, Paul Klee, Agnes Martin and Louise Bourgeois, and his art-world peers. While he considers himself primarily a painter, Barrington's practice comprises performance, fashion and collaborations with the Notting Hill Carnival in London. His approach to painting is similarly inclusive, embracing non-traditional materials and techniques imbued with personal and cultural references such as burlap, concrete, cardboard, and sewing. His interdisciplinary process follows in the footsteps of Robert Rauschenberg's groundbreaking Combines, which Barrington references by incorporating real objects into the picture plane, including carpets, steel drums, brooms, and fans. As an artist he is continually expanding his constellation of influences while always acknowledging the formative role of art history in his practice.
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1916-223, 2021
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1916-224, 2021
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1916-225, 2021
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1916-227, 2021
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1916-228, 2021
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1916-229, 2021
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1916-230, 2021
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1916-231, 2021
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1916-232, 2021
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1916-233, 2021
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1916-234, 2021
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1916-235, 2021
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1916-236, 2021
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1916-237, 2021
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1916-238, 2021
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Be his Peace, 2021
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Black Power, 2021
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Black Power, 2021
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Cloud 1, 2021
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Cloud 2, 2021
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Cloud 3, 2021
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Don't Rush, 2021
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Get it Right, 2021
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ICU, 2021
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Notes on Being Present, 2021
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Notes on Claiming Time, 2021
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Notes on Emotional Trauma, 2021
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Notes on Forgiving Yourself, 2021
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Notes on Healing, 2021
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Notes on Pain, 2021
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Notes on Recovery, 2021
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Notes on Saying Fuck It, 2021
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Notes on What U Need, 2021
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Notes on Yes to Strangers, 2021
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Pull up to my Bumpa, 2021
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Slow Down, 2021
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U the Wettest, 2021
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Upgrade U, 2021
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What's Next, 2021
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1363-1963, 2020
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1363-1964, 2020
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1363-1965, 2020
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1363-1966, 2020
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1363-1967, 2020
Alvaro Barrington is an artist based in London and New York. Born in Venezuela to Grenadian and Haitian parents, he was raised between the Caribbean and Brooklyn.
Barrington's practice is informed by an unwavering commitment to community. He considers influence and exchange to be crucial, drawing upon a host of artistic and cultural references in his work. His personal touchstones include rapper Tupac Shakur and 90s hip-hop culture, 1920s jazz and the Harlem Renaissance, Jamaican political activist Marcus Garvey, modernist icons such as Willem de Kooning, Paul Klee, Agnes Martin and Louise Bourgeois, and his art-world peers. While he considers himself primarily a painter, Barrington's practice comprises performance, fashion and collaborations with the Notting Hill Carnival in London. His approach to painting is similarly inclusive, embracing non-traditional materials and techniques imbued with personal and cultural references such as burlap, concrete, cardboard, and sewing. His interdisciplinary process follows in the footsteps of Robert Rauschenberg's groundbreaking Combines, which Barrington references by incorporating real objects into the picture plane, including carpets, steel drums, brooms, and fans. As an artist he is continually expanding his constellation of influences while always acknowledging the formative role of art history in his practice.
Selected solo exhibitions and projects include GRACE, Tate Britain Commission, London (2024); Island Life, Nicola Vassell Gallery, New York (2023); They Got Time: YOU BELONG TO THE CITY, Galerie Thaddeus Ropac Pantin, Paris (2023); 91-98 jfk-lax border, Blum & Poe, Los Angeles (2022) and Alvaro Barrington, MoMA PS1, New York (2017). Group exhibitions include The Culture: Hip Hop and Contemporary Art in the 21st Century, Baltimore Museum of Art, MD; Traveled to Saint Louis Art Museum, MI (2023); The Drawing Centre Show, Le Consortium, Dijon, France (2022); Fire Figure Fantasy: Selection from the ICA Miami's Collection, Institute of Contemporary Art Miami, FL (2022); The Earth, That is Sufficient, Nicola Vassell Gallery, New York (2021) and Artists I Steal From, Thaddaeus Ropac, London (curated with Julia Peyton-Jones, 2019). Collections include the Insitute of Contemporary Art, Miami, the Hepworth Wakefield, K11 Art Foundation, The Loewe Foundation, Fundacion NMAC, Rennie Museum, Start Museum, X Museum, Beijing and the Tate Britain.
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Alvaro Barrington: Island Life
9 Nov - 21 Dec 2023 -
Alvaro Barrington: GARVEY 1: BIRTH — The Quiet Storm
10 Sep - 30 Oct 2021Nicola Vassell Gallery is pleased to present, Alvaro Barrington: GARVEY 1: BIRTH -The Quiet Storm. It is the first chapter in a four-part ode by the artist to the life...Read more -
The Earth, That Is Sufficient
15 Jul - 1 Sep 2021Nicola Vassell Gallery is pleased to present, The Earth, That is Sufficient. The assembled, multi-generational group enlists various narrative methodologies to describe landscape in traditional terms and as new terrain...Read more
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WNYC: Alvaro Barrington Paints 'Island Life'
November 29, 2023 -
A brush with... Alvaro Barrington
Ben Luke, David Clack, The Art Newspaper, August 16, 2023 -
Frieze: Meet Me at Reception, Alvaro Barrington and Róisín Tapponi
Frieze , April 21, 2023 -
Art Gallery Shows to See Right Now
Roberta Smith, The New York Times, September 16, 2021 -
‘THE EARTH, THAT IS SUFFICIENT’ OPENS AT NICOLA VASSELL GALLERY
Shelton Boyd-Griffith, Grazia Magazine, July 20, 2021 -
Alvaro Barrington’s Next Move
Andrew Durbin, Frieze, July 1, 2021 -
How Rising Art Star Alvaro Barrington Charmed London's Top Galleries Into Breaking Their Own Rules for the Chance to Wor
Kate Brown, Artnet News, January 13, 2020 -
The Painter Alvaro Barrington on the Art He 'Steals' From
Farah Nayeri, The New York Times, June 26, 2019